Performances: Culture Centre Valve, Valvehall Wed 1.2.2017 at 7pm and Thur 2.2. at 2pm
\nTickets: 15\u20ac
\nTickets sales: tel 0300 472 333 or teatteri.myyntipalvelu@ouka.fi or Culture centre Valve or www.ticketmaster.fi
\nAge recomendation: 13+<\/strong><\/p>\nOriginal idea: Jouni Ihalainen, Olli Vuorinen
\nConcept and performance: Jouni Ihalainen, Coline Froidevaux, Nahuel Desanto
\nLight design: Teo Lanerva
\nMusic: Petteri Rajanti
\nDirector: Pau Portabella
\nAssistant director: Olli Vuorinen
\nDress design: Anne J\u00e4ms\u00e4
\nProduction: Nuua<\/p>\n
Coline Froidevaux (performer)
\nColine Froidevaux did a long journey of circus formations France can offer… She started circus at the age of 4 and went from Cirque Plumes youth circus school to preparatory circus schools in Lomme and Montpelier to professional school ENACR ( Ecole Nationale des Arts du Cirque de Rosny-sous-bois ) and she finished her studies with an DMA-des arts du cirque-diplome in Aca- demie Fratellini in 2013.
\nAll these years gave her vide artistic perception in various circus, dance and theatre creations with well known directors like Fabrice Champion, Lau- rent Fr\u00e9churet, Marc Proulx, Coline Serreau and J\u00e9r\u00f4me Thomas<\/p>\n
Nahuel Desanto (performer)
\nDesanto followed a dance and theater education in the city of C\u00f3rdoba where he directed the show \u201d algo no concuerda \u201d. 2009 he moved to Buenos Aires where after one year he stopped the vocational training in the circus school \u201d la arena\u201d and changed plans to dedicate his time for inde- pendent training in dance and movement. 2010 Desanto moved to France for formation in Le Lido, Centre of circus arts in Toulouse.
\nIn 2013 he created the company Faseqiatra. Project focused the relation of the dance, theater and circus with audiovisuals concepts on stage. Desanto carried out various projects with several choreographers such as Kitt Johnson, Riedl- bauchoba Ver\u00f3nica, Marta Torrents and Pau Portabella.<\/p>\n
Jouni Ihalainen (performer)
\nJouni Ihalainen graduated the Salpaus circus line in Finland 2005 and completed his studies on 2008 in Paris at Academie- Fratellini. Since then Ihalainen has been working with the French new circus pioneer group Cirque Baroque, Th\u00e9atre NoNo and in the performances of Kitsou Dubois.
\nThe most well known solo work of Ihalainen is Black Pearl. Which has been touring around the world in varies festivals in Italy, France, Finland, Germany, Japan and the Reunion Island. Black pearl won the Budapest circus price in the Cirque de Demain festival in Paris 2008<\/p>\n
Pau Portabella (director)
\nSpecialised in Clown, mime and theatre improvi- sation Portabella graduated from physical theatre school \u201cEl Timbal\u201d 2001 in Barcelona. He conti- nued his formation in circus schools of \u201cRogelio Rivel\u201d in Barcelona 2002-2005 and centre des arts du cirque \u201cLe Lido\u201d in Toulouse 2006-2009, where he specialised in pair-acrobatics.
\nPortabella has been working with various circus and theatre companies such as \u201cCircus Klezmer\u201d, \u201cTranse Express\u201d, \u201cCirk Oblique\u201d and he is also co- founder of a company \u201cTriskel\u201d in 2004, which toured widely in Spain. He founded \u201cFet a M\u00e0\u201d in 2009 with Marta Torrents, and company has recei- ved a lot of international success with the perfor- mance called \u201cCru\u201d<\/p>\n
Olli Vuorinen (assistant director)
\nOlli Vuorinen, founder of Nuua Company graduated from a French circus school Academie-Fratellini in 2011. After the education Vuorinen did two award-winning perfromances in Cirque de Demain-festival and his company got selected in 2012 to a EU-funded Circus Next-project. Since 2011 Vuorinen has been working closely with one of the pioneer compa- nies of contemporary juggling Les Objets Volants in a perfor- mance Liaison Carbone.
\nOlli Vuorinen is very productive Finnish contemporary circus artist. Past years he has been performing over 20 different countries. Vuorinen is known from his personal approach to performing, innovative juggling technics and various object theatre skills.<\/p>\n
Teo Lanerva (light design)
\nTeo Laneva is studying at the Theatre Academy of Helsinki at the light and sound deparement. He works as a freelance video and sound designer for different kinds of performances, concerts and festivals. In his bachelor\u2019s thesis work he created a visual experience on stage which was based on the impulses that the audience gave through cen- cors attached to their seats.
\nIn the light and in the video designs he is fashi- nated about the visual value of light, but as well physicality of it. Lanerva aplies it on his work to get psychological and emotional reactions it evo- kes to the audience.<\/p>\n
Petteri Rajanti (sound design)
\nSince 1979, Peter Rajanti has starred in movies and series as an actor and made a number of sound designs for theater and dance performan- ces, as well as in the movies. Rajanti has played in numerous bands since 1976 until today. He has recorded, edited and mixed a number of records since 1994. Rajanti is involved in a music collec- tive who owns a 200 square meter recording stu- dio. He has taught sound design and acoustics in Tampere University of Applied Sciences in art, music and media unit, as a lecturer from 1995.<\/p>\n
Anne J\u00e4ms\u00e4 (dress design)
\nCostume and set designer Anne J\u00e4ms\u00e4 works as a freelancer in the field of performing arts. She has been designing costumes, props and stage sets mostly in objets theater, dance and contempo- rary circus performances. She has a master degree from University of Art and production design and she postgraduated with her research of object manipulation.<\/p>","protected":false},"excerpt":{"rendered":"
RAW CIRCUS PERFORMANCE WITH BLCK HUMOUR AND ODDNESS Performance of debasement. On stage three performers, a juggler, an acrobat and a performance artist creates a continuity of absurd scenes that follow one another as artists question and experiments their limits, ones they impose to themselves and equally the ones imposed by others. Until where we […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":89,"template":"","meta":{"_acf_changed":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"portfolio-type":[23],"class_list":{"0":"post-2205","1":"portfolio","2":"type-portfolio","3":"status-publish","5":"portfolio-type-menneet","6":"entry","7":"has-post-thumbnail"},"acf":[],"_links":{"self":[{"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/portfolio\/2205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":2,"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/portfolio\/2205\/revisions"}],"predecessor-version":[{"id":4568,"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/portfolio\/2205\/revisions\/4568"}],"wp:attachment":[{"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/media?parent=2205"}],"wp:term":[{"taxonomy":"portfolio-type","embeddable":true,"href":"https:\/\/flowprod.fi\/en\/wp-json\/wp\/v2\/portfolio-type?post=2205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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